London, etc. and Paris, 17: Versailles!

Travel Date: Wednesday, May 8, 2024

In the past few days I have written at some length about how I have wished that I had learned more about the history of France in general and the French Revolution in particular before I went to France, rather than after I returned to Canada, so that I’d have had a greater appreciation for the historical significance of several of the sites we visited. Among these were the Champs de Mars, a large green space southeast of the Eiffel Tower, where Bastille Day was first celebrated on July 14 1790 to mark the first anniversary of the storming of the Bastille and where the first major massacre of the Revolution occurred, and Place de la Concorde, which was the location of many of the 17,000 public beheadings that took place during the Reign of Terror.

The Palace at Versailles also played a central role in the French Revolution. The primary impetus for the Revolution, which ultimately lasted for more than ten years and expanded from a civil uprising to involve several neighbouring countries, was the terrible social and economic circumstances in which most French people were living, largely due to the onerous tax burden that the “ancien regime” (“old order”) imposed on them. The economy was on the verge of collapse but in the meantime, King Louis XVI (a popular king) and his wife Marie-Antoinette (not as despicable as her reputation would have it, from what I have now read) were living with their son the Dauphin and other relatives in the most luxurious conditions imaginable. One early, unsuccessful attempt to quell the fomenting unrest took place at the Royal Tennis Court at Versailles in 1789, and it was from Versailles that the king and queen were moved to the Tuileries Castle in Paris and thence to prison and after that to their own public executions.

I highly recommend Hilary Mantel’s novel A Place of Greater Safety and the French Revolution podcast episodes of The Rest is History for fascinating in-depth explorations of this decade in French history – which did not go well at all but ultimately did lead to a democracy in France that has lasted till this day (and which we desperately hope will continue).

Where I was going with that draft, now revised to become this draft, was to draw comparisons between the social and economic conditions in France that precipitated the overthrow of the monarchy, then the failure of one replacement system of government after another, with conditions that are contributing to the popularity of far-right movements around the world today. But I decided that whole line of thought was too depressing, and also that it would take me weeks to research my argument to the extent that I could support it with citations, so (you’ll be relieved to hear) I’ve decided to just show you some of the many photos we took when we went to Versailles and toured the chateau. ‘ll leave you to crawl down the rabbit holes that lead to political parallels if you so desire.

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Versailles palace , which is now a UNESCO World Heritage Site, was built originally as a hunting lodge in 1623 by Louis XIII, and expanded to its current massive size by Louis XIV. It was the latter Louis who moved the seat of the French government from Paris to Versailles (no. I will not mention Mar-a Lago here), and it was at Versailles where Louis XVI was living when all hell broke loose.

Today “The palace is owned by the government of France […]. About 15,000,000 people visit the palace, park, or gardens of Versailles every year, making it one of the most popular tourist attractions in the world” (Wikipedia). The Versailles experience begins as soon as you board the train that carries visitors along the 10.7 k route from Paris.

We saw sculptures in nearly every room of the palace, some strangely attractive and some really breathtaking. In the former category are the statuary shown in first four images below, which were formerly fountains with water spewing from their mouths and heads. The last two photos are of more classical statues, made from white Carrara marble. They date from the mid-1600s.

We visited the royal family chapel, which was larger and more ornate than many free-standing churches I’ve been in. There were also a lot of interesting paintings in the palace, not only hanging on the walls but also decorating the ceilings.

Versailles today is a museum. Not all of the art we saw would have been there during the reign of Louis XVI; some of the works were created long after he was relieved of his regal responsibilities.

The state rooms of the king and queen, including their private bedchambers, extended through nine or ten large rooms. Here is a sample:

We saw the famous gardens at Versailles through many of the windows in the rooms we visited, but we ran out of time and energy before we could wander around outside

The Treaty of Versailles which ended the first world war was signed in the Hall of Mirrors on June 28, 1919.

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After returning to Paris, we decided to eat dinner at Bouillon Pigalle restaurant. We had seen the long lines waiting outside this restaurant a few days previously and had become interested in eating there, but it seemed to have no accessible system for taking reservations. We decided that waiting in line must be worth it, since so many other people were doing that. The line is so long that it runs down the whole block and around the corner. Thanks to a special agreement between the restaurants, there is a break in the line in the middle so that patrons of the McDonald’s next door can get to their destination.

The wait was worth it, as it was so often on this trip. Le Bouillon Pigalle serves delicious French food in a very efficient manner, where patrons sit close to one another and orders are taken almost as soon as you’ve been seated. But the system works: there is no sense of being rushed, the food is excellent, and the price is reasonable.

London, etc. and Paris, 16: The Musée d’Orsay (worth the wait!), and Shakespeare and Company

Travel Date: Tuesday, May 7, 2024

With our acts finally together, by which I mean with timed tickets purchased in advance, we finally gained admission to the Musée d’Orsay. What a splendid facility it is! The museum is housed in a former train station and it becomes clear from the moment you step inside that a former train station, particularly one with a lot of light available from arched ceilings, is an excellent location for a world-class art collection.

The original Gare d’Orsay was a notable achievement, having been built to accommodate and welcome the thousands of people who came by train to visit Paris for the Universal Exhibition of 1900.

The collection on display at the facility today includes art that ranges from the Revolutionary Era in the late 1700s to the early years of the 20th century. In total, 140,000 works are located here, including “paintings, sculptures, drawings, objets d’art, photographs – and the world’s finest collection of impressionist and post-impressionist paintings” (d’Orsay signage).

Upon entry, visitors are greeted by magnificent overviews of the museum, where art is not confined to the galleries.

Of course, there are separate galleries as well, containing some of the most famous paintings and sculptures in the world. I find it a genuine thrill to see the original of a famous work of art, or even of an artist I haven’t known too much about before. Standing in front of the canvas or the sculpture gives me a sense of connection with the artist that always makes me feel like going someplace and writing something. It’s rejuvenating.

And there are so many well- known Van Goghs at the Musée d’Orsay: all splendid and impressive! I was particularly enchanted by the painting titled “The Church at Auvers.” It looks like something out of a Tim Burton film.

And there were Cézannes….

And Renoirs!

And Monets!

And many others.

The Musée d’Orsay has three eating facilities, one of which – the Cafe Campana on the fifth floor – offers a view across the Seine towards Montmartre through its famous window clock.

Some of the most interesting sculptures were outside the museum. These two were created in 1878.

After we left the Musée d’Orsay, we made our way to one of the most famous English-language bookstores in the world: Shakespeare and Company. The shop opened in 1951 and remains a must-see destination for readers and writers – particularly anglophones – who visit Paris. Taking photos inside is not permitted, so if you haven’t done so already, you’ll just have to go there and see the place yourself. It is a warren of delights for booklovers.

This photo, which I found on the page of the Shakespeare and Company website that is devoted to the fascinating history of the shop and the story of its founder, looks as though it was taken decades ago, but the store has the same feel and look today.

“I created this bookstore like a man would write a novel, building each room like a chapter, and I like people to open the door the way they open a book, a book that leads into a magic world in their imaginations.”

— George Whitman

Since I’ve come home I’ve read a lovely work of fiction – The Paris Novel by Ruth Reichl – that is set in part at Shakespeare and Company. The online blurb describes it as “Named a must-read for spring 2024 by Eater, Oprah Daily, Chatelaine, Brit+Co and Everything Zoomer. A dazzling, heartfelt adventure through the food, art, and fashion scenes of 1980s Paris—from the New York Times bestselling author of Save Me the Plums and Delicious!” It is a sensory delight and a fine adventure, and I recommend it.

We finished our day of cultural meanderings with another excellent Lebanese dinner at Chez Sofia, near our hotel.

London, etc. and Paris, 15: A River Cruise and a Visit to the Arc de Triomphe, but no sign of Xi Jinping.

We descended the stairs at the end of the Rue de la Manutention (which sounds a little better in French than it does in English, but not much. The English translation of “Manutention” is “Handling”), and made our way to the footbridge across the Seine that would take us to our river tour.

The river cruise in Paris starts just below the Eiffel Tower. I will spare you the ten or twenty photos I added that day to my already ridiculously large collection of Tower photos, but there are many pix of that landmark on my last post, if you have a hankering.

There is a very large island in the Seine east of the Musée D’Orsay called “Île de la Cité.” Just east of that is another, smaller island that fits nicely against the first (just as though it all used to be one big island!) called Île Saint-Louis. The cruise took us around that second island and then headed back toward its home dock.

Here are some of the sights we saw on the trip.

One of the highlights of the cruise was a close-up of Notre-Dame de Paris, which suffered a disastrous fire on April 15, 2019. The meticulous and very expensive reconstruction of the mediaeval Catholic cathedral, and particularly its spire, continues. It is expected to reopen in December of 2024.

There was a large group of high school students on board with us, and they insisted on making a howling noise whenever we went under one of Paris’s many bridges, thereby allowing us the opportunity (as it were) to hear not only them, but also their echoes.

Kids!

After the tour, we took the Métro to the Arc de Triomphe (1806) which is located at the west end of the Champs-Élysées. (Beyond that, the road is called l’Avenue de la Grande Armée.) We had seen the east end of the Avenue des Champs-Élysées earlier in the week, when we visited the Place de la Concorde.

We declined to climb to the roof of the Arc de Triomphe and instead satisfied our curiosity from across the immense traffic circle that surrounds the monument.

“The Arc de Triomphe de l’Étoile, often called simply the Arc de Triomphe [… ] stand[s] […] at the centre of Place Charles de Gaulle, formerly named Place de l’Étoile—the étoile or “star” of the juncture formed by its twelve radiating avenues […]. The Arc de Triomphe honours those who fought and died for France in the French Revolutionary and Napoleonic Wars, with the names of all French victories and generals inscribed on its inner and outer surfaces. Beneath its vault lies the Tomb of the Unknown Soldier from World War I.” (Thanks as always to Wikipedia, which I support with a donation every month as I’m sure all regular users of that resource do. It’s always wise to double-check references on the site if you are citing the material in Important Documents, and some articles are biassed or incomplete, but in this age of disinformation the checks and balances on Wikipedia make it a very reliable source of background information on just about any topic you can think of. Plus, if you find a mistake, you can fix it yourself.)

I am a fan of the Tour de France, which always ends up circling the Arc de Triomphe during the final stage before heading to the finish line, so I took an extra pleasure in visualizing the peleton zooming around the monument. I would not personally want to cycle over all those cobbled streets, but then there is nothing in the Tour de France that tempts me to participate as anything but a spectator.

Later we walked past the magnificent Église Saint-Pierre de Chaillot, which opened in 1938 on a site the Roman Catholic Church has owned? occupied? since the 11th Century. “The church consists of three parts: a 65-metre high bell tower that dominates the whole and is located on Avenue Marceau, a low church, invisible because it was built like a crypt above which rises the main church with a central bell tower. The building is also characterised by its monumental façade on the avenue. […] It is constructed in the Romano-Byzantine style” (Wikipedia).

We didn’t go inside but the photos on the Wikipedia site suggest that the interior is as magnificent as the exterior.

On our way back to the subway, we found ourselves on a section of roadways near the Pont d’Alma that had been entirely closed off to allow for the safe passage of President Xi Jinping, President of the People’s Republic of China, who we knew from the news was dining with President Macron that evening. We probably saw the vehicle that carried him past us, but since a lot of very official vehicles with dark windows went by, we weren’t sure which one it was. In the video and photo below you can see Xi supporters on the east side of the bridge awaiting his arrival. I don’t think they saw him, either. One of the people watching with us (of which there were very few. Most people just went on about their business) said that street closures like this for visiting dignitaries are common in Paris. In other words, as we waited for a glimpse of Xi, our status as tourists was probably obvious to all of the locals – and maybe even to the President of China.

We may not have seen the President, but we were rewarded for our wait with a rainbow.

London, etc. and Paris, 14: A Good Day for a Stroll with Close-ups of The Eiffel Tower and the Moulin Rouge

Paris is best seen on foot, and although we hadn’t exactly planned it, we were able to take advantage of our one Sunday in the city to walk and walk and walk.

Our original intention that day had been to visit the Musée D’Orsay, which offers free admission to everyone on Sundays. However, the Musée was “sold out” of free tickets so we weren’t able to visit. Turns out that even when tickets are free, you still need to book them in advance to secure an entry time – which we had not done because we didn’t know it was necessary. So NB: if you want a free ticket to the Musée D’Orsay, book it in advance online. (I’m sure this tip is applicable to other museums and galleries as well.)

From the museum, we walked down to the Quai D’Orsay. From there, we made our way past several landmarks and bridges along the Left (south) Bank of the Seine to the Eiffel Tower, then crossed a bridge and walked back up the Right Bank. Later we made our way by subway to Place Pigalle, where we checked out the Moulin Rouge and marvelled at the dozens upon dozens of sex shops in the area. While I imagine there are some economic advantages to putting all of these outlets (for which the French term is “sex-shops”) in the same part of the city (reduced costs for advertising, shipping, signage, etc.) due to economy of scale or something, I can only thank the powers-that-be that Paris hasn’t used the same kind of organizational model for its patisseries.

Our stroll down the Left Bank took us (for the second time) past the National Assembly and the Pont Alexandre III, and offered views across the river of Right Bank attractions, including the Grand Palais and some of the buildings that border the Tuilleries Garden.

In the last volume of his novel, Marcel Proust mentions how, one evening during a blackout early in the first World War, soon after the clocks had been turned forward in the Spring, he stood not far from the Pont des Invalides on the Left Bank and looked across the Seine at the Trocadero. As I had hoped to do before I even went to France, I was able to replicate that experience (albeit in the daytime and not during a war). It was a small thing, but it pleased me.

The Trocadero, which we saw only from a distance, is a neighbourhood in the 16th arrondissement on the north (right) bank of the Seine, almost directly across from the Champs de Mars and Tour Eiffel. The Palais du Trocadéro was built on the Chaillot Hill for the World’s Fair in 1867. It was shaped like a huge concert hall, featured an enormous pipe organ (since moved to Lyon but still in use), and was named after a battle won by France in Spain. The building did not prove popular and it was partially demolished and then rebuilt in time for another World’s Fair, in 1937, at which time it was renamed Le Palais de Chaillot. The grounds include gardens, fountains and an underground aquarium, and I have added it to my “to do” list for next time.

“The Hôtel des Invalides, commonly called Les Invalides, is a complex of buildings in the 7th arrondissement of Paris, France, containing museums and monuments, all relating to the military history of France, as well as a hospital and an Old Soldiers’ retirement home, the building’s original purpose” (Wikipedia). On July 17, 1879, Parisian rioters ransacked the Hôtel for guns and ammunition before storming the Bastille.

From Wikipedia: “The Eiffel Tower is a wrought-iron lattice tower on the Champ de Mars in Paris, France. It is named after the engineer Gustave Eiffel, whose company designed and built the tower from 1887 to 1889. Locally nicknamed ‘La dame de fer‘ (French for ‘Iron Lady’), it was constructed as the centerpiece of the 1889 World’s Fair, and to crown the centennial anniversary of the French Revolution. Although initially criticised by some of France’s leading artists and intellectuals for its design, it has since become a global cultural icon of France and one of the most recognisable structures in the world.”

When you actually see the Eiffel Tower in real life, you cannot stop taking photos of it. Or at least, I couldn’t. I have about 200 photos of the Eiffel Tower.

In the middle of a night shortly before we went to France, the famous windmill atop the famous Moulin Rouge fell off. It had not been reattached when we visited, so we had to make do with a Moulin Rouge cassé. Moulin Rouge is one of my favourite movies, so it was a real treat to visit the neighbourhood and the entryway to the facility, windmill or no windmill.

We did not attend any shows inside the Moulin Rouge but I got a few photos of what visitors might have expected to spend, and to see.

London, etc. and Paris, 13: Le Musée Carnavalet: The French Revolution, Chamber Music and Proust’s Bed

The Musée Carnavalet, located in the historic district of Marais on the Right Bank of the Seine, is housed in two former mansions that were built during the Renaissance (mid 1500s). The Carnavalet focuses on the history of Paris from pre-historic times to the present, and its collection includes “paintings, sculptures, furniture, decorative woodwork and objets d’art, shop signs, photographs, drawings, prints, posters, medals, coins, historical objects, archaeological collections and more… ” (Carnavalet brochure).

I found this museum fascinating because of the range of historical events it depicts, and the vast array of distinctive pieces. Given the opportunity, I would happily go back and look around for several hours more. The “objets” in the collection range from the strange and disturbing to the amusing – sometimes both at once; for example, a display relating the story of the man who introduced the idea of executing prisoners by cutting off their heads includes a set of guillotine earrings.

The years of the French Revolution provided much fodder for artists and writers, but the rapidly changing political climate meant that creative types, like politicians, fell in and out of favour depending on the week. In the case of those who had died, their remains were moved in and out of the Pantheon like pieces of fashion furniture, depending on how the political winds happened to be blowing.

In the ballroom of the Wendel Mansion at the Carnavalet, we had the good fortune of running into a quartet of talented young musicians who were putting on an informal concert. It was nice to sit down for a bit and listen to lovely music in such a distinguished setting before we proceeded to the next displays. Sort of like a sorbet between courses.

A highlight of the Musée de Carnavalet for me was the display of artifacts (or reproductions of artifacts) owned by Marcel Proust, whose 1.5 million-word novel I had just finished reading when we left for France (the culmination of a project on which I had been working for several years longer than it took Proust to write it).

Once Proust got down to the actual writing of his immense work of fiction, which didn’t happen until he was nearly 40, his preferred method of composition was to write in bed. So the fact that his bed is part of the display is no small matter to a Proust aficionado. Other interesting Proust articles included his cane and raincoat, and samples of the cork board he stuck against his walls to dull outside sound so he could concentrate.

After we had seen the Musée de Carnavalet we walked along the right bank of the Seine, and witnessed a fun encounter between a street musician and a passing clown (and the clown’s entourage). They weren’t very French, but it felt like a “French moment.”

Paris, like most major cities in the world these days, is home to many people whose accommodation is (at best) a tent.

London, etc. and Paris, 12: Le Louvre, including a brief audience with Mona Lisa

Since this post is mainly about a visit to an enormous museum (652,300 square feet, to be exact)1, there are quite a lot of photos in it. They depict only a few of the hundreds of paintings and sculptures I saw during our visit to Le Musée du Louvre in Paris that compelled me to take photos of them to ensure that I would never forget them. (Hah.) In the long run, of course, it was more time-consuming to figure out which photos to leave out of this blog post than it would have been to include them all, but I have done my best to cull and whittle; what is left is what you get.

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In a shopping centre near Le Louvre we came across a public washroom that I thought must be an extension of the gallery itself. It turned out to have a more commercial intent: it was a promotional display by a paper company called Renova, which describes itself as selling “The Sexiest Paper on Earth” – a claim that is almost as engaging as the display itself.

Once we got to the actual art, I was immediately attracted by a painting of Joséphine, first wife of Napoleon I. It was completed just before the annulment of their marriage six years in, by which point she had failed to provide him with an heir. In contrast to the usual formal portrait of a member of nobility, she has chosen to be seated and to look away. Who can blame her?

The last two photos in this set are of a painting of an event that took place in happier (?) days: The Consecration of the Emperor Napoleon and the Coronation of the Empress Joséphine in Notre-Dame Cathedral on 2 December, 1804. Since Napoleon essentially crowned himself, I saw this painting as a chilling but eminently plausible long-term strategy of a certain gilt-and-pomp-loving candidate in the 2024 U.S. presidential election.

I am always impressed by the effect religious enlightenment and enthusiasm (or perhaps the fear of God) have had on the artistic initiatives of some of the world’s most noted visual artists and musicians. There were many outstanding examples of such works at the Louvre, although mythology was the source of inspiration for many artists too.

I liked the Delacroix paintings (below) very much, perhaps because of the immensity of their scale and subject matters.

And at long last we got to see the Mona Lisa. The Louvre runs a very tight ship when it comes to what is likely the most famous work of art in its collection: After joining a carefully corralled group, we inched forward for about half an hour until we finally reached the wooden railing that separated us from the Da Vinci masterpiece. There, three uniformed staff members gave us maybe a minute to get our unobstructed photos before they hustled us out of the room.

I think my favourite installation at The Louvre was the magnificent Winged Victory of Samothrace, which is “a votive monument originally found on the island of Samothrace, north of the Aegean Sea. It is a masterpiece of Greek sculpture from the Hellenistic era, dating from the beginning of the 2nd century BC” (Wikipedia). I could have gone back to the gallery again and again just to look at that sculpture.

After departing the Louvre we decided to tour the Palais Garnier, one of the homes of the Paris Opera. We were unable to gain admission because it was almost closing time, which is probably just as well as we were fairly tired by then. Later in the week, we did see the building, a masterpiece of baroque architecture. As you will see in a later post, it was worth making a second attempt.

Near our hotel, a lovely plaza (Place Gustave Toudouze) offered four or five restaurants with different types of cuisine, including French, Italian and Indian. We enjoyed the food at the Lebanese restaurant Chez Sofia so much we went back again later in the week. (I even wrote a positive review online.)

Here are a few other photos of the area near our hotel.

  1. This aerial photo of The Louvre, which I found on the museum’s website, gives a sense of how massive the complex really is ↩︎

London, etc. and Paris, 11: “I Love Paris… when It Drizzles.”

On Thursday morning, after settling in to our new, improved quarters and checking out the neighbourhood, we set out to discover Paris. (Arnie had been to France in the 1970s, but I had never been before.) It was still raining, but for the most part the rain was a fine drizzle so it didn’t interfere with our stroll.

After consuming a bowl of French onion soup at one of the many small cafés that edge the streets of Paris (because of course we did. Very tasty), we took the Métro to the south side of the Seine, emerging near the Quai D’Orsay, and began to walk west along the Left Bank/ Rive Gauche. First we passed the Assemblée Nationale, which is France’s lower House of Parliament, the upper being the Senate.

France, like most democracies, has three branches of government: legislative, executive, and judicial. The President (currently Emmanuel Macron), a position for which an election is held every five years, appoints the Prime Minister (normally the head of the party with the most seats); the Prime Minister and his or her deputies make up the Government. I understand that elected representatives whose politics are on the left sit on the left side of the PM in the Assemblée, and those whose politics are on the right sit on the right. Seems sensible.

(Please click on a photo for a better look. If you are reading this as an email, click “Read on Blog” (at the top of the email) to see larger versions of the photos.)

The French electoral system is somewhat confusing to an uneducated outsider (as are most countries’ electoral systems, come to think of it. Autocracies and dictatorships are easier to understand: rulers like Nicolás Maduro in Venezuela just retain control of everything, no matter what the voters decide they want). The French system of government is additionally confusing since France is a founding member of the European Union, so some of its legislative functions now fall under the purview of the European Commission.

We continued along the Left Bank until we reached the Pont Alexandre III. From Wikipedia, I learned that “[This] Beaux-Arts style bridge, with its exuberant Art Nouveau lamps, cherubs, nymphs and winged horses at both ends, was built between 1896 and 1900. It is named after Tsar Alexander III of Russia, who had concluded the Franco-Russian Alliance in 1892. His son Nicholas II laid the foundation stone in October 1896. The style of the bridge reflects that of the Grand Palais, to which it leads on the right bank.” (Well said, Wikipedia.)

The Grand Palais was closed for renovations when we were there, but would reopen temporarily for the Olympics in August. (The fencing and taekwondo events were held there.) The full site will reopen to the public in 2025. The Grand Palais is an exhibition hall, museum and historic site dedicated to French art, and it sounds as though it is quite spectacular. We’ll have to go back to investigate it (and Notre-Dame Cathedral, of course, which was still closed for restoration following the terrible fire in 2019).

We kept catching sight of the Eiffel Tower and since I couldn’t get over the fact that we were actually IN Paris looking at THE ACTUAL Eiffel Tower (of which I have owned a small replica since my sons visited the city in about 1992), I kept taking photos of it. As a result, I now have about 200 photos of the Eiffel Tower. I will not post them all.

After walking in front of the Grand Palais we took a right turn and headed up the Champs-Elysées to the Place de la Concorde, the largest square in Paris, where there was a lot of activity going on to prepare for the upcoming Olympics. The Place Concorde was the site of the BMX freestyle, breaking, skateboarding and 3X3 basketball events and as the photos illustrate, a lot of temporary seating was being created when we were there.

As we walked, I spent a lot of time just marvelling to myself that I was actually on the Rive Gauche, walking by the Quay D’Orsay, crossing the Seine, catching glimpses of the Eiffel Tower, standing in the Place de la Concorde. It was both magically surreal and exactly as I had expected it would be: a perfect combination. It also made me think that if you read enough books and see enough films set in a certain location (or point in history, I suppose), it is almost as good as visiting it.

Almost, but not quite.

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Addendum

Did you know that “I Love Paris” was written by Cole Porter and published in 1953? It’s been “covered” by just about everyone – notably Bing Crosby, Andy Williams, Ella Fitzgerald, Doris Day, Dean Martin, Frank Sinatra and Screamin’ Jay Hawkins. It’s a short song, but long enough to become an ear worm.

London, etc. and Paris, 10: Paris Greets Us with Thunderbolts, Hail and a Bus Station from Hell

It costs about £30 (C$50) and takes approximately 8.5 hours to get from London to Paris on a bus. (This includes the cost of the ferry the bus drives onto in order to cross the English Channel). It costs about £125 (C$221.25) to travel from London to Paris through the “Chunnel” on a train. It costs about £80 (C$140) to fly from London to Paris.

Partly because of the cost, partly because we had no deadlines, and partly because I wanted to see the English Channel as we crossed it, we took the bus.

We had been warned that a rough crossing could be a nauseating experience or worse, but we were fortunate to make our trip to France on a wonderfully calm day. This was the second time we’d been to Dover, but we had much better views of its white cliffs this time, particularly after the ferry left the dock.

The actual crossing by ferry takes about 2.5 hours, and the trip was calm and picturesque. We arrived in Calais to find le temps there as pleasant as the weather had been in England. As we drove between Calais and Paris, I tried to get my brain around the fact that I was actually in France for the first time in my life. Since I was a young teenager, I’ve been studying French, reading books by French authors, watching French films, learning some French history, and envying absolutely everyone who got to be in France while I did not, so perhaps it is not difficult to understand why I found the experience almost unreal. As we travelled through the French countryside (where , by the way, I noticed happily – as I had in Germany a year or two before – that there are a lot of wind farms), I peered eagerly toward the horizon for my first sight of Paris.

But le temps had other ideas. The skies grew dark with clouds as the night fell, and as we reached Paris, a monstrous storm let loose. The torrent of hail and rain was intensified by near-constant flashes of lighting and crashing thunder. The bus, being largely a metal object, intensified the sound of the hailstones clattering down upon us, and I felt as though we were in a tin bucket – fortunately one with a lid on it, and windows.

I’m including a couple of the videos I took after the bus had pulled over to the side of the road, to wait for the worst to pass.

All hail breaks loose.

All of this meteorological excitement meant that we arrived at Paris’s Bercy Seine bus station a couple of hours later than scheduled, after ten at night. Delayed buses and storms be damned, all the service staff were heading home on time. Loiterers were being shooed out of the waiting room and asked to stand on the platforms until their connecting buses arrived. The lights in the office areas were extinguished, and doors and windows that might provide access to any useful information were securely locked.

At first sight, the streets of Paris were not how I’d imagined them

Not being entirely fluent in French (not bad, but not fluent), we had some serious difficulty trying to figure out where to leave the building in order to find a ride to our hotel. We asked other travellers on the platform where the exit was, but those who did understand our questions and gesticulations all seemed to be waiting for connecting buses and didn’t know any more than we did about the layout of the station.

Several days later, when I finally had some time to try to figure out where we had gone wrong with la Gare Bercy Seine, I discovered that our challenges were not entirely due to our inadequacies in French (although our fellow-sufferer was also from Toronto, so maybe it’s a Canadian thing to expect that there be signage). On Trip Advisor I came across a review by “Oyster Boys” entitled “Flixbus Station at Bercy Seine in Paris is the Bermuda Triangle!!!!” Turns out its authors had had the same experience as we did, only in reverse: they’d been trying to leave Paris to go to Brussels when they’d encountered the mysteries of the Gare from Hell. “Finding the Flixbus station is like looking for the North Korean nuclear missile site,” they wrote. “You can’t find it. It’s almost as if they don’t want you to find it. It’s hidden underground inside a park….yes a park full of trees and some kind of playground full of graffitis…. It’s like walking into the abyss of the underworld. There’s no sign that says it’s a bus station. You just have to walk to a park with no sign to lead you to the entrance. I could see people circling around the park looking for the station.”

The only exit we could find opened into the aforementioned park. As we peered through the ongoing downpour we noticed that past the park, a couple of city blocks away, there was a street with cars on it. Although the worst of the storm had passed, we knew we were about to get very wet, but we had little choice. So off we went toward the street where we could call an Uber, dragging our suitcases through the park’s puddles as we walked.

After being tricked once by a non-Uber driver who convinced us he was an Uber driver, and then shouting at him until he returned us to the original meeting spot and let us out of his vehicle, and after finally connecting with our actual Uber driver (yes. I know. Check the license plate. We won’t forget again), we were dropped off after midnight at our small hotel – on one of those wonderful Paris streets I’d come so far to see. It was no longer raining, and the reflections of the street lights glinted on the wet stones and pavement.

However, the day was not quite over. We had to wake someone up inside the hotel in order to be let in and register. Our third-floor room, it turned out, was only a few feet larger than the double bed, but we were exhausted: we’d figure out how to manage the unpacking of the suitcases in the morning. I plugged my power bar into the wall so I could recharge my phone and my watch, and promptly plunged the entire hotel into darkness.

After Arnie went down to confess my sin, and received a small lecture from the night manager, we heard a caretaker (or most likely the manager himself) open a door just outside our room, and fiddle around with things a bit. Suddenly the lights came on. We turned them out and went to sleep.

The next morning we got up and looked around, now even more fully aware of how much time we might need to spend just to figure out how to sort our stuff so that we could get at it when we needed it, and still have enough floor space to get from the bed to the bathroom and to the doorway to the hall. But after a superb petit déjeuner in the downstairs breakfast room (it included fruit, eggs, sausages, bacon, croissants, real coffee, pain chocolat and more, and was included in the price of our room), we went to the desk to ask about something else, and the person who was then on duty said, “Hey. You guys are here for an extended stay. Wouldn’t you like a larger room?”

The next thing we knew we were in a main-floor “suite,” at no additional cost (a very small suite, but it had a very large bathroom and a hallway and a window to the patio outside and lots of room for suitcases).

And so, as it turned out, May 1 was the only truly difficult day on our entire trip. We had other moments of frustration (getting lost in the subway system, for example, which happened several times in Paris, as it had in London), but despite their reputation, every Parisian we encountered was helpful and friendly (aside from one or two who worked in booths at the Métro, see above), and no day that followed was anything like the day we went from London, England to Paris, France.

And even that one day had caused us only a few hours of grief. After that, we were in Perfect Paris, which was all that I had ever dreamed it would be, and more.

Exploring Visions: Two Poets, Two Collections

I’m taking a little detour from my travelogue here to talk about two books of poetry that were written by two long-time friends who we met up with while we were in London, and with whom we enjoyed a fine lunch, a tour of Shakespeare’s Globe and an exhibition at the Tate Modern. I have been fortunate to acquire the most recent collection by each of them, and I thought I’d tell you a bit about their work. Poets never get the attention they deserve, and both of these poets deserve attention.

Nancy and Mike

Nancy Mattson’s fourth collection of poems, Vision on Platform 2, reflects the varied background of the poet: of Finnish heritage, she was born in Winnipeg and grew up in Alberta and Saskatchewan. She raised a family in Edmonton before moving to London in 1990.

Nancy writes insightfully from the places she knows so well, moving easily among them – introducing us to Finnish words, recalling the Edmonton house where she grew up, nudging memories to life in those of us who’ve also spent time on the prairies – ranging from picking (and eating) wild saskatoons and raspberries, to walking down streets of stuccoed houses, to attending shows by the touring hypnotist/illusionist Reveen.

Nancy’s keen eye and astute word magic also evoke the pleasures she finds in living in London, travelling around Great Britain, and visiting abroad. She finds the remarkable in the familiar (“Pared from a baby’s fingernail / the sickle moon begins the winter’s solstice”) while also reminding us of the joys of singular experiences, such as comparing notes on new motherhood with a much younger woman, met by happenstance, who was pushing her young baby in a carriage along the street. The lovely title poem describes the day the poet sat across the tracks from seven nuns who were waiting for a train under the sign at Seven Sisters Underground Station in Tottenham. (Online there is a photo another traveller took that day! Fun.)

Behind the sharp images and lovely stories at the forefront of her poems, Nancy maintains a soft focus on larger issues – on art, and myth, on the passage of time and the changes it brings to our lives and to the world around us. (“…I am thirsty for the dustbowl of my youth.”) Some of the poems are meditations and reflections (e.g., “Threads for a Woman Priest”) or describe unexpected and charming connections and experiences (“Shadows in Hadleigh”).

Nancy’s poems are engaging in a concrete sense even when they head off into the mystical. Above all there is the language and the insight — intelligent and lovely.

Michael Bartholomew-Biggs has taken an intriguing approach with his sixth collection of poems, Identified Flying Objects. With a few exceptions, each poem is followed by a quote from The Book of Ezekiel, and the relevant quote casts new light on the poem that has come before it. A poem about a possibly awkward moment the poet witnessed (“Family Occasion”) is followed by Ezekiel 18:2, “The fathers have eaten sour grapes, and the children’s teeth are set on edge.” Now the reader gains new insights and perspectives: not only from the Ezekiel quote, but also from the fact that the poet has chosen that particular verse to accompany this poem. (Wheels within wheels, as it were.)

Once I had recognized the pattern, I found myself holding part of my mind outside of the reading of each poem to wonder what intriguing comment from Ezekiel Michael was about to offer us. It often felt like a conversation had begun, or – as Michael himself suggests in the Foreword – even an argument: between Michael and Ezekiel, but now including us as well.

Identified Flying Objects is a highly engaging collection, one that offers us Michael’s delightful facility for finding the perfect word (“The whitewash would be bad enough – / smeared across that tumbled wall / of crumbling mortar, mildewed stones / and sliding down in clotting dribbles / varicose as old men’s veins” [“Whitewash”]) but also raises deeper questions that the reader finds herself mulling over later.

One poem that got me mulling – this one not because of a philosophical or social issue, but because it raised a conundrum that tied my brain in knots – is called “In the Fitting Room.” It begins “The mirror switches left and right without transposing / top and bottom – same as always but today / you note this perpendicular discrepancy….”. I have been gnawing over this “perpendicular discrepancy” since I read the poem: I understand perfectly well why it is true but I also cannot understand why it is true at all.

_____

I have no doubt that I’d have enjoyed both of these books of poetry even if I hadn’t known their authors. But there was an extra pleasure in coming across a poem from time to time in both collections when I was fairly sure the poets were writing about each other.

Thank you for your work, my friends. I am delighted to have read it.

_____

London, etc. and Paris, 9: The Globe Theatre and the Tate Modern. Our last day in London

I can’t think of a better way to have spent our last day in London than with two long-time friends.

We began our day by making the familiar trek from our hotel to Paddington Station, and I found I was feeling nostalgic in advance for the neighbourhood where we’d felt so at home (and eaten so well) for the past ten days. We emerged from the underground at Mansion House station, walked past St. Paul’s Cathedral and then across the Millennium Footbridge to the south side of the Thames. There, at the entrance to Shakespeare’s Globe Theatre, we met Nancy Mattson – whom I’ve known since both of us lived in Edmonton, many decades ago – and her British-born husband Michael Bartholemew-Biggs. We were amazed to learn that they had never done the Globe tour before, although they had seen many plays at the theatre. We were all in for a treat.

The original Globe Theatre was built in what is now the Borough of Southwark by Shakespeare’s theatre troupe in 1599, but the building was destroyed by fire in 1613. A second Globe opened a year later on the same site, but it closed along with all the other theatres in London in 1642 when, at the start of the first English Civil War, “lascivious Mirth and Levity” and other unhealthy states of mind that might be incurred if one attended a play were officially deemed incongruous with the spirit of the times.

Shakespeare’s Globe,” the newest incarnation of Shakespeare’s theatre, opened in 1997. It is located 500 feet away from the original, but the design is very much the same. Our well spoken young guide related intriguing structural details about the original theatre, how both players and patrons were accommodated there, and how the theatre’s attributes (and drawbacks, such as the lack of a roof over those standing in front of the stage) had been reproduced in the current building. We wore headsets and our guide spoke quietly into the microphone so we wouldn’t disturb a rehearsal for Much Ado about Nothing that was taking place on the colourfully decorated stage. It was an excellent and interesting tour.

After checking out some displays in the lobby, and giving the gift shop a quick look (Note the umbrella: so charming, but how would you manage it on the Tube, especially if it got wet?), we walked over to Tas Pide, a middle-eastern/Turkish restaurant that Nancy and Michael knew. The food was outstanding.

Our route from the Globe to Tas Pide and then back to the Tate Modern – our final destination for the day – took us past a number of interesting sights along the waterfront in Southwark, including: the original site of Globe playhouse; a museum in honour of The Clink; the remains of 12th-century era Winchester Palace, which includes the rose window from its Great Hall – one of the remaining pieces of the original structure that was mostly destroyed by fire in 1814 – and its lovely medieval-themed garden; a replica of the Golden Hynde; St. Mary’s Overie’s Dock; and Dirty Lane. The British have a definite talent for giving names to things.

We saw a fabulous exhibition at the Tate Modern: The Expressionists: Kandinsky, Münter and the Blue Rider. The Blue Rider [Der Blaue Reiter] was a group of avant-garde artists in Munich at the start of the 20th century. Gabriele Münter and Wassily Kandinsky were two of its founding members. The Expressionists intended through art to portray emotions and responses to real and spiritual experiences, as opposed to creating realistic depictions of objects and scenes. Their works often featured distorted forms and bold colours.

The show was huge. Before long, my feet were causing me serious grief so I wasn’t able to enjoy the pieces near the end as much as I had the ones at the beginning. (Nor, as you will note, was I too particular about how I was holding my phone as I snapped photos of the works of art.) If we’d been in London longer, I’d have gone back a second time so I could have absorbed more than I did. I’d had no idea how much I liked Expressionist art!

Most of the artworks in this show were created in the first decade of the 20th century.

Nancy Mattson and Michael Bartholomew-Biggs are both poets, and in my next post I’ll be taking a side trip from this travelogue to profile their most recent books. Each poet has a distinctive voice, but both works are accessible, intelligent and eloquent. Stay tuned.