Sobbing at the Symphony, an Amazing Film, and Other Trip Preparations
As the date of my first (only?) psilocybin dose moves closer, I find myself suspended between the relative certainty of what is happening now and the mystery of what will happen afterwards. This feeling of suspension (or should I say “suspense”?) is no doubt attributable in part to the aura of unreality that accompanies antidepressant withdrawal, and in part to my efforts to learn everything I can about psychedelic experiences in advance of actually having one.
It has been nearly three weeks now since I took my last dose of the SSRIs I’ve been on for several decades. The side effects of withdrawal, which I also described in my last post, continue, including the unwelcome feeling every few minutes that a series of little electrical-like pulses are shooting through my brain (aka “brain zaps”), a tendency to burst into tears at the slightest provocation, anxiety, and a more-easily-triggered impatience than is typical for me. I feel as though these side effects are diminishing (I hope so), but it’s also possible that I’m just getting used to them.
Tired of Thinking about my Self
Concurrently, I have been reading and listening to and viewing so much material that relates to psychedelic trips, mushrooms in general, and states and conditions of consciousness, that I am growing tired of the whole subject. I tell myself versions of the following: “This is ridiculous! People drop acid all the time without totally immersing themselves in the science, philosophy and history of it all and perusing narratives that chronicle the experiences of other people. Sure, maybe all they get is a little break from reality, but that is all they’ve asked for: they do not expect to emerge with dramatic alterations to their world views. These are just fungi, after all.”
Of course, there’s a fear of disappointment woven into all of this: after all of the preparation, what if mine is a one-day trip that takes me nowhere? Michael Pollan, whose latest book has become a core reference for those who are interested in how psychedelics can “change [their] mind,” emerged from his first two trips – one on LSD, one on psilocybin – feeling somewhat disappointed, and fairly certain that what had happened to him was not likely to have any permanent effect.
On top of everything else, my anxiety often presents itself as a form of self-castigation that I’m sure is familiar to most people who are dealing with mental health issues: What if I am just blowing everything out of proportion? (To which I answer, Of course I am. That’s part of what I am trying to stop doing.) (<– Circular thinking is another symptom of depression, but it also often seems to be a logical and compelling form of discourse.)
On the other hand….
I’m probably just experiencing information overload. The behaviour that’s led to this is typical of me: when I’m going on a real-life journey, I study as much as I can about the destination before I go, and even attempt to acquire a little of the language in advance. I admit that what I’m learning about psychedelics in general and mushrooms in particular has been interesting and useful no matter what the outcome, and writing about it has been helpful. And I’m happy to hear that it’s also helping others who are in similar circumstances.
The psychiatrist who is supervising “my” research study has suggested that, for a couple of weeks before the dose and at least a week after, I avoid engaging too much with the world on this subject (or most others), as I will want to think about my own expectations, and then about the effect the experience has had on me. To that end, I envision two more pre-dose blog posts – one a review of Pollan’s book, and the other an account of what I am looking forward to and concerned about as the dosing date approaches.
A few people have asked me what it’s like to be in this research study. Up to this point, the experience has primarily consisted of administrative steps (a blood test, a referral from my family physician, etc.) and completing a whole lot of questionnaires about my state of mind, and about the medications I am on and have been on. The same questions keep appearing on new surveys and seem to be designed for easy processing by computer: most of the questions are Yes/No or number-based (e.g., “For how many years have you been [xyz]?”). I expect the same questions will form a significant part of the follow-up as well: that’s how research works.
I get emails about once a week from the study coordinators asking how I’m doing, and I had a good conversation with the psychiatrist about the withdrawal symptoms. This week I received a list of appointments I am expected to attend before and after the dosing. There are about twenty appointments on the list, extending right through December – about half virtual and the rest in person.
A few appointments before the dose will involve discussing my expectations with the two-person team to which I’ve been assigned, and afterwards we’ll talk about how the experience has affected me. There will also be more surveys, and more blood tests.
Fantastic Fungi: A Fabulous Film
Thanks to several enthusiastic recommendations, including from a couple of biologists in the family, this week I watched a film called Fantastic Fungi. I recommend it to you with equal enthusiasm. (Check out the preview here; you can watch the film for “free” if you have Netflix.)
Fantastic Fungi does talk about psilocybin trips, but its primary focus is on the many other “magical” properties of mycelium and the mushrooms that emerge from it. Along with an explanation voiced by Brie Larson (Go, Captain Marvel!) of what fungi are and how they operate (“There is a world under the earth, full of magic and mystery…” she begins), the film features lay and scientific experts in the field of mycology, including Paul Stamets, Roland Griffith, Andrew Weil, Pollan, and nature and food journalist Eugenia Bone.
The film shows us how fungi already fulfil roles in nature that we are only beginning to understand (they serve as networks of communication among plants and trees in very similar ways to those in which humans use the internet), how they can be used to solve immediate problems (termites in your house? Stamets has cultivated a fungus that will destroy them without harming the environment), and how they can help us to address long-term issues affecting the future of the planet (check out the segment that compares traditional ways of cleaning up oil spills and what happens when fungi are introduced to do the same: not only do they clean up the mess, they start whole new colonies of growth and life). There is convincing evidence that after we humans finish destroying ourselves and the environment, the mushrooms will be here to clean up and rejuvenate our planet – a mycelium staff preparing for the hotel’s next set of visitors, a staff that is fully equipped to survive and thrive on their own if new guests don’t show up.)
Fantastic Fungi is entertaining and educational, and watching it might well change your view of the world.
Fears of Tears
This past week I attended a truly magnificent production of Beethoven’s Symphony Number 9 that featured not only the entire Toronto Symphony Orchestra but also the superlative Toronto Mendelssohn Choir and four outstanding soloists flown in for the occasion from around the world. As the concluding movement approached, I felt a growing sense of apprehension: I was watching the hundred-or-so members of the choir sitting quietly above and behind the orchestra, clad in dramatic black-and-white, ecclesiastical-looking robes and black masks, awaiting the moment when they would stand and sing. As almost everyone in the building knew, this was going to happen in the fourth movement of the symphony, which includes the powerful and uplifting anthem to peace, “Ode to Joy.”
I knew that when they rose, my wobbly illusion of emotional stability was going to take a direct hit. I feared I would be so overwhelmed by emotion that I would be unable to avoid contributing loud tuneless sobbing and hiccoughing noises to the soundscape, seriously diminishing the pleasure of those around me.
As it turned out, I was right about the first part: given everything that is happening in the news, no power on earth or anywhere else could have stopped the tears from pouring down my face and into my mask as the movement began and the choir rose to sing. This waterfall continued beyond the final note and through the standing ovation, both extended and passionate, that seemed to launch itself unbidden on cries of “Bravo!!” from the audience. But to my relief, I did not make a scene.
Afterwards, I told my friend Ksenija – my TSO companion and a woman who has enjoyed superbly performed classical music since she was a child in Europe – that I had never been so viscerally moved by a concert, so unable to stop the tears. She said, “But Mary! Tears are perfectly natural when you hear great music.”
She’s right, of course. They are. And in retrospect I think that to have been able to listen to that monumental work in these hard times, and to have been able feel it all – my emotions unobstructed and undulled by antidepressants – was a gift that was both absolute agony and absolutely glorious.
I really hope that my guides choose less staggering music to play when I am launched into the psychedelic universe (music and eye masks are traditional components of a guided psilocybin experience), and that is one of the things that I now intend to ask about ahead of time. But in the meantime, no matter what happens to me as a result of ingesting psilocybin – and even if nothing does – I will have gained one unforgettable experience that I would never have had if I hadn’t become involved in this study.
So there’s that.